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Childish Gambino – Awaken, My Love!

A1 Me And Your Mama

Bass – Thomas Drayton

Choir – Brent Jones And The Best Life Singers

Pulsate Programming – Black Party (ii)

Drums – Chris Hartz

Electric Piano [Fender Rhodes], Piano – Per Gunnar Juliusson

Guitar – Ray Suen

Guitar, Bass, Synth – Ludwig Goransson*

Mixed Past [Co-Mixed By] – Ludwig Goransson*

Organ – Lynette Williams

Recorded By [Organs, Keyboard, Synths And 5-Drums] – John Armstrong

Synthesizer [Moog Synthesizer], Electric Organ [Hammond B3 Organ] – Zac Rae

Vocals, Percussion – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*, Zac Rae

6:19
A2 Take Some Honey

Bass, Synth – Ludwig Goransson*

Choir – Brent Jones And The All-time Life Singers

Drums – Chris Hartz

Electric Organ [Hammond B3 Organ] – Lynette Williams

Guitar [Guitars] – Sam Sugarman

Producer [Additional Production] – Ludwig Goransson*

Vocals, Percussion – Donald Glover

Written-By – Chris Hartz, Donald Glover, Sam Sugarman

3:44
A3 Boogieman

Pulsate Programming, Guitar [Guitars], Bass, Keyboards [G-Tron Keyboard], Electric Pianoforte [Rhodes] – Ludwig Goransson*

Mixed By [Co-Mixed Past] – Ludwig Goransson*

Vocals, Percussion – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*

3:37
A4 Zombies

Choir – Brent Jones And The Best Life Singers

Drums, Bass, Electric Pianoforte [Rhodes] – Chris Hartz

Guitar, Synth [Synth FX], Piano – Ray Suen

Mixed By [Additional Mixing By] – Ludwig Goransson*

Synth [Synth Bass], Soloist [Guitar Solo], Guitar [Guitar Solo], Harpsichord – Ludwig Goransson*

Vocals [Boosted Vocals] – Kari Fake

Vocals, Percussion – Donald Glover

Written-By – Chris Hartz, Donald Glover, Ludwig Goransson*, Ray Suen

four:42
A5 Anarchism

Backing Vocals [Background Vocals] – Sofia Hoops

Performer [Contains A Sample Of "Skilful To Your Earhole" By] – Funkadelic

Producer [Additional Production Past] – Ludwig Goransson*

Synth – Zac Rae

Vocals – Donald Glover

Written-By – Haskins Clarence Eugene*, Donald Glover, George Clinton, Hazel Grace Melt*

two:05
A6 Redbone

Bass, Cello Banjo, Synth [Synths], Guitar, Electric Pianoforte [Fender Rhodes], Electric Piano [Wurlitzer] – Ludwig Goransson*

Mixed By [Boosted Mixing By] – Ludwig Goransson*

Vocals, Drums, Glockenspiel – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*

5:27
B7 California

Bass, Guitar, Electrical Piano [Wurlitzer], Percussion [Bottles], Electric Organ [B3 Organ], Percussion – Ludwig Goransson*

Drums, Percussion – Chris Hartz

Guitar – Ray Suen

Mixed Past [Boosted Mixing Past] – Ludwig Goransson*

Vocals, Percussion, Percussion [Bottles] – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*

2:45
B8 Terrified

Bass – Thomas Drayton

Electric Piano [Fender Rhodes] – Per Gunnar Juliusson

Guitar – Ray Suen

Guitar, Pulsate Programming, Programmed Past [Synth Programming], Backing Vocals [Groundwork Vocals] – Ludwig Goransson*

Soloist [Male child Soloist], Vocals [Boy Soloist] – JD McCrary

Synthesizer [Moog Synthesizer], Electric Organ [B3 Organ] – Zac Rae

Vocals, Percussion, Glockenspiel – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*

4:15
B9 Baby Boy

Bass, Electric Piano [Wurlitzer] – Ludwig Goransson*

Clavinet, Electric Organ [B3 Organ] – Lynette Williams

Drums – Chris Hartz

Guitar [Guitars] – Ray Suen

Vocals – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*

6:22
B10 The Night Me And Your Mama Met

Bass – Ludwig Goransson*

Choir – Brent Jones And The All-time Life Singer*

Glockenspiel – Donald Glover

Guitar – Gary Clark Jr*

Written-By – Donald Glover, Gary Clark*, Ludwig Goransson*

3:34
B11 Stand Tall

Arranged By [Woodwinds Arranged By] – Thomas Parish

Choir – Brent Jones And The All-time Life Singers

Clarinet [Clarinets] – Dan Higgins, Phil O'Connor

Contractor [Woodwinds Contracted By] – Peter Rotter

Flute – Steve Kujala

Flute [Flutes] – Julie Burkert, Steve Kujala

Guitar, Bass, Electric Piano [Fender Rhodes] – Ludwig Goransson*

Mixed By – Ludwig Goransson*

Recorded Past [Woodwinds] – Chris Fogel

Vocals – Donald Glover

Written-By – Donald Glover, Ludwig Goransson*

6:11
  • A&R – Fam Udeorji
  • Art Management [LP Packet Art Direction] – Brian Roettinger
  • Executive-Producer [Executive-Producers] – Donald Glover, Ludwig Goransson*
  • Lyrics By [All Song Lyrics Written Past] – Donald Glover
  • Lyrics By [Co-Written By] – Ludwig Goransson* ( tracks: A4 )
  • Management – Wolf And Rothstein*
  • Mastered By – Bernie Grundman
  • Mixed By – Andrew Dawson ( tracks: B8 ) , Donald Glover ( tracks: A1 to B7, B9 to B11 ) , Ludwig Goransson* ( tracks: A1 to B7, B9 to B11 ) , Riley Mackin ( tracks: A1 to B7, B9 to B11 )
  • Photography By, Art Direction – Ibra Ake
  • Producer – Ludwig Goransson* ( tracks: A1, A3, A4, A6 to B9, B11 )
  • Recorded By – Riley Mackin, Ruben Rivera
  • Recorded By [Choir] – Bryan Carrigan

This is the single LP release, not the limited edition boxed set.
Download menu with for the album as 320 kbps mp3 files.

All songs mixed at The Factory and Elbo Studios except track 8
Rail 8 mixed at Audio EQ Studios
All songs recorded at The Factory
Choir recorded at Elbo Studios

  • Matrix / Runout (Side A, etched) : GLS-022101-A NRP Ⓤ
  • Matrix / Runout (Side B, etched) : GLS-022101-B NRP Ⓤ
Title ( Format ) Characterization Cat# State Year

Recently Edited

Awaken, My Love! ( CD , Anthology ) Glassnote (2) GLS-0209-02 Usa 2016

Recently Edited

Awaken, My Love! ( CD , Album ) Glassnote (2), Liberator Music LIB199CD Australia 2016

New Submission

Awaken, My Dear! ( CD , Album ) Glassnote (2), Hostess Entertainment Unlimited HSU-10108 Japan 2016

New Submission

Awaken, My Dear! ( CD , Anthology ) Glassnote (2) GLS-0209-02 Europe 2016

New Submission

Awaken, My Love! ( CD , Album ) Glassnote (2), Glassnote (2) GLS020902 , GLS-0209-02 Canada 2016

thatmatt_'s avatar

Edited vi months ago

I paid $v for a NM- copy of this, this pressing seems alright to me (mayhap some bias acquired by the cost I paid). It's not as atrocious as the reviews make it out to be imo. Pops and crackles certain (record had some really light scuffs acquired by the tape going in and out the innersleeve), but the record sounds alright. Weird bass sound in redbone but other than that information technology's pretty clear and well balanced; BG did a groovy task on this imo. If yous go information technology for a expert price it's well worth it, a flake quiet simply that's it pretty much.

EDIT: Listened to this today for the start time in a while, and I have to say that information technology's both good and bad in some respects. Main bad thing of note on this press is the extremely low volume - on the first track I had to crank it up to 75% whereas on most records I have, I can turn it up to ~45% to get the same volume. What'south even weirder is that other tracks on this record can get the same book by turning up to ~55%, rail ane was mastered actually low in volume, the balance is still lower in volume compared to near records I take. Maybe information technology'southward just my ears beingness strange, simply I feel like listening through speakers can remove virtually of the dynamic issues. Through headphones, this sounds pretty boring and quite flat dynamically, just information technology comes to life when yous plough upward the volume through speakers. Peradventure I simply got lucky, but my copy has pretty minimal pops and clicks, so turning up the book makes it still sound articulate. No question, this album could audio better, the low-end is pretty muffled, just at the right toll, this press is absolutely worth it.

marquisperkins's avatar

Sucks that this pressing sucks. The music is then good, only the pressing...sucks.

There'southward absolutely no separation.

davidrum's avatar

Crappy pressing, what a mess ... Such a shame !

Pingiivi's avatar

This is probably the worst pressing I've heard outside of film discs.

bdaiker's avatar

Mastering is and then flat. I was playing some old crap before it and information technology had so much more dimension.

sd_cesar's avatar

I too own the box ready version of this anthology, but picked upwards the single disc version today, so I wouldn't have to hassle with the box set.

I was disappointed to see and then many people say information technology sounded bad, I am on side B as I blazon this and haven't noticed any dissonance or annihilation. Maybe some people are simply too picky or I got lucky. Either way, I am pleased with the sound of this pressing.

RaroAvis's avatar

Yes! Pressing very bad!!! Really noisy and low volume!! Don't recommended

hprara's avatar

Edited three years ago

Pretty tranquillity pressing (had to plow the volume upwardly like a tertiary more than I usually have it at) and actually tight heart hole (had to widen it lightly with a knife) but besides that pretty average pressing. Very minor surface noise compared to what everyone else seems to take.

EDIT: Surface noise is definitely clear in the right channel on the rails "Redbone". Fifty-fifty though that's the main single, they even so decided to cram information technology in as the last song on 1 side. Kinda sad.

TheClock's avatar

My version sounds fine; none of the formely mentioned surface noise is on my copy for whatever reason. It is mastered a tad low simply other than that information technology's flawless. Luck of the draw?

Rompcat's avatar

Concur with all the scuttlebutt: this pressing is ripe garbage. . . . similar it's pressed into potato skins, middlings, and dry out milk powder. It's actually distressing.